「事象の地平線の向こう側」
地球が人にとってまだ丸くない頃、地平線の向こう側を人々はどう解釈してきたのだろうか。
事象の地平線とは、相対性理論などの概念で情報（光や電磁波など）の伝達が可能か不可能かの境界を指します。ここより先、ここより向こう側の過去を含む情報を我々は知ることができない境界線、面です。その向こう側とはブラックホールでは強い重力で物質や光が脱出できず観測できない内側、膨張する宇宙では光速を超えて地球から遠ざかっている所からは光が地球に到達できず観測できない遠方の宇宙又はその外側を指す事ができるかも知れません。観測できない向こう側の世界での時間や空間のあり方、その解釈の可能性を示した展示になります。
「The Other Side of the Event Horizon」
When the Earth was not yet understood to be spherical, how did people imagine what lay beyond the horizon?
In physics, the event horizon refers to the boundary beyond which information—including light and electromagnetic radiation—can no longer be transmitted or observed. It is the threshold at which the past, and everything beyond it, becomes fundamentally inaccessible.
In the case of a black hole, this unseen realm lies within a gravitational field so intense that neither matter nor light can escape. In an expanding universe, it may also describe regions receding from Earth faster than the speed at which their light can ever reach us, rendering them forever beyond observation.
This exhibition explores the possibility of interpreting time and space on the far side of such horizons. By contemplating worlds that remain inherently unobservable, it invites viewers to reflect on the limits of perception, the nature of knowledge, and the unseen realities that exist beyond the boundaries of human observation.
尾野 訓大
2007年に名古屋芸術大学大学院美術研究科修了。物理学への関心のもとに、時間と空間、その相対性をテーマにしている。視覚ではとらえられない現象や認知の難しい現象を確認できる道具として写真を用い、主に長時間露光により幻想的な風景を映す作品を制作する。時空など自然に移り変わる様子を、写真を通して明らかにしようとする姿勢は、観測者、観察者に近い、その観測結果の解釈を作品に表している。2014年よりAIN SOPH DISPATCH（名古屋）で7回など個展を多数開催、2019年｢パラランドスケープ “ 風景 ” をめぐる想像力の現在」三重県立美術館など、多くの展覧会に参加。作品は愛知県美術館などパブリックコレクションにも収蔵されている。
ONO Kunihiro
Kunihiro Ono completed the Master’s Program in Fine Arts at the Graduate School of Nagoya University of Arts in 2007. Grounded in an interest in physics, his practice explores the concepts of time, space, and their relativity. Using photography as a tool to investigate phenomena that are difficult to perceive visually or comprehend cognitively, he creates works that capture enigmatic and dreamlike landscapes, primarily through long-exposure techniques.
Seeking to reveal the natural transformations of space-time through photography, Ono approaches his practice from a position akin to that of an observer or researcher. His works embody interpretations derived from the results of these observations. Since 2014, he has presented numerous solo exhibitions, including seven exhibitions at AIN SOPH DISPATCH in Nagoya. He has also participated in many group exhibitions, including Para-Landscape: Imagination to Face the Changing Reality at the Mie Prefectural Art Museum in 2019. His works are included in public collections, including the Aichi Prefectural Museum of Art.